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Kurt
Vonnegut, Jr.
Kurt Vonnegut, Jr. explains
"How to get a job like
mine" in Lee Chapel on February 4, 2003.
Photos courtesy of John Eisinger,
'03L.
Tuesday,
February 4, 2003
7:30
p.m. - Lee Chapel
Courtesy of Law News (Ryan Anderson,
'05L)
From rural
Indiana as a boy, to Dresden, Germany as a soldier, and even New York City
as an author, Kurt Vonnegut, Jr.’s life and writings have certainly made
him an interesting character in the story of American literature. His speech
in the Lee Chapel on February 4th entitled “How to Get a Job Like Mine,” merely
reinforced that fact.
At eighty, Vonnegut still smokes unfiltered cigarettes, and speaks
with quick wit and great bravado. He also speaks without fear. However, at
his age and with his experience what is there really left for him to fear?
More noticeably, he is unapologetic about his notions or his candid presentation,
and that is what makes him so unique and wonderful: purely Vonnegut.
After 14 novels, several plays, critical essays, and numerous
short stories, Vonnegut decided not to publish anything new for the remainder
of his life. Despite this retreat from the spotlight, Vonnegut remains a
recognizable face in American culture. (These days, even a 45-minute speech
by Vonnegut demands a price of $25,000! Certainly, his popularity is not
waning.)
A packed Lee Chapel awaits Kurt Vonnegut,
Jr.'s speech
Vonnegut claims
he began writing because it was “easy to do . . . it was my gift . . .
I was born to do it.” Although most readers, casual or fanatical, recognize
Vonnegut for his seminal work Slaughterhouse Five, Vonnegut said
he considers Cat’s Cradle the “flagship work” of his
career.
However, the events giving inspiration to Slaughterhouse Five
persist. Vonnegut’s vision of war as the most “disgusting, soul robbing .
. . endeavor,” most likely stems from his own experience in World War II
and the fire-bombing of Dresden, Germany, which became the basis for the anti-war
novel.
The seemingly impending war with Iraq brings out Vonnegut’s vehement
emotion on war and death. Speaking of the conflict he said, “It’s the most
horrible thing going on right now.” War’s absurdity is comparable, according
to Vonnegut, to a drunken cowboy telling his group of comrades, “We’re all
going into town to get syphilis.”
Nor is Vonnegut shy about his feelings on the president when he
refers to Bush as a “childlike President” who was “installed in power by
a Mickey Mouse coup d’etat.”
But Vonnegut does not limit his colorful comments to politics
and war. As a writer, he instructs a room full of undergrads with the only
advice, “Don’t use semi-colons. They stand for nothing . . . they only show
you’ve been to college.”
He follows this by commenting, “All American literature is about
how bad it is to be American.” A list ensues, including the Scarlet Letter,
Death of a Salesman and Moby Dick.
Kurt Vonnegut,
Jr. graphs different stories on a scale
of happiness/luck over the course of the
story.
Vonnegut believes
America today is a “racist country, as we size each other up by our last
name and hometown.” He even believes the German sounding ‘Von’ in his own
last name “put a crimp in my popularity,” since there lingers, as he perceives
it, a strong anti-German sentiment in America. (Vonnegut’s name actually
comes from a stream outside of Münster.)
Even given all of the offhand comments, Vonnegut is adamant that
people need to express themselves through artistic endeavors of any kind.
“Practicing an art is a way to make your soul grow,” he said. From a very
basic level he explained, “The act of creation . . .” it brings “something
into the world that wasn’t here before.” Vonnegut lives by these words himself.
In addition to writing, Vonnegut has become an avid artist, sculpting
abstract designs and painting rudimentary self-portraits and various other
objects with distinct style. He claims to enjoy this work just as much as
writing. This self-proclaimed humanist even jokes that he sometimes feels
“the only proof of the existence of God is music.”
An inspiration to many, Vonnegut’s own inspirations are numerous.
Kilgore Trout, his famous literary alter-ego, was inspired by fellow science-fiction
writer and friend Theodore Sturgeon. “I thought it was funny to be named
after a fish,” said Vonnegut
These days, Vonnegut not only gives speeches, he also lends his artistic
ability and popularity to help raise money for Skate Park in Northhampton
(SPIN). T-shirts featuring Vonnegut riding a skateboard on the moon and one
which brandishes his original artwork, are sold with the profits benefiting
the SPIN cause. Vonnegut claims he got involved with the group because, “My
daughter lives there and my grandson at the age of ten got busted for skateboarding.”
Ironically, Vonnegut, a self-proclaimed loather of fraternities,
spoke at a school where undergrads are socially stratified by their choice
of Greek family. “They’re [Frats] a bad idea.” He contributes his dislike
of fraternities to the “frat rats” who supported the Vietnam War. “I can
never forgive them,” he said. Again, the anti-war sentiment shines through.
For Vonnegut, life is simple. “We are here on this earth to fart
around,” he said. Yet, as serious as his message really is, Vonnegut’s lightheartedness
and unabashed humor make even the most seemingly irrational of ideas, sensible.
Then again, that’s purely Vonnegut.
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